News Story

Take a closer look at the props and discover how the team achieved a brilliant Theatre Green Book score for the first two shows in our Festival season, The Government Inspector and The Unlikely Pilgrimage of Harold Fry.

Each prop, however big or small, is carefully chosen or created to fit the period and the designer’s concept for the show. As we embrace the Theatre Green Book to reduce the environmental impact of our productions, we’re relying on our prop store and encouraging designers and prop supervisors to work with the treasure trove of amazing items we already have. Our prop store houses an incredible array of items that have been collected from different productions over the years.

A close up of a basket and handlebars on a bike, with a blue label that reads 'Choir' attached.
Labelled up ready for the next show.
A selection of props mimicking food: a bucket of fried chicken, boxes of popcorn and some pies.
Good enough to eat!

Towards the beginning of the process, our Prop Store Co-ordinator Katie will take the prop supervisor working on the show, and sometimes the designer, to visit our prop store and rummage through our bumper collection.

Across the industry, other theatres are also following the Green Book guidance, so our prop store is becoming pretty popular. Visit the webpage to get in touch or find out more. Read on to learn more about the props in the first two productions this season and how the Theatre Green Book is changing the ways we source and make props for shows.

A close up of the label on a folder that reads 'Russian Rubles' (accessible, rest in boxes).
Perfect for The Government Inspector!
A selection of wine glasses arranged on a wooden shelf.
Can you believe these are actually plastic?

The Government Inspector

Over 60% of the props were reused or made from reused or recycled materials. Lots of the props came from our store, including the snuff boxes, three manacles and a bag full of loaves of bread – can you remember spotting them in action?

Performers wearing casual clothes rehearse in a studio. Three performers crouch on one knee on the floor, in a line. They each hold out a different object: a crate of beer, a basket of bread and a tray with something balancing on it. They look concerned. Opposite them, sitting on a dark wooden vintage desk, another performer looks down at them, leaning back and looking much more relaxed than the others. A fifth performer hovers behind him, leaning on the back of a chair, watching attentively.  In the background, other members of the company watch on.
Members of the company in rehearsal for CFTs The Government Inspector Image: Ellie Kurttz 2025
Three men stand watching and listening to a well dressed young gentleman, who speaks to them and looks relaxed and humorous. They clutch a range of objects and look worried about what he will say.
A scene from The Government Inspector at Chichester Festival Theatre Image: Ellie Kurttz 2025

Many directors request props to use in rehearsals, which often means two props are bought or made: a stand-in for rehearsals, and a final design for the performances, which could have a significant environmental impact. So, we’re trying to make the most of what we already have in our store as much as possible, at least for the rehearsal stand-in props.

The stage set for The Government Inspector with atmospheric warm lighting. In the foreground is a small wooden house. The floor of the stage is covered with wooden floorboards. In the centre is a lavish circular couch. Around the stage are doors, windows and lots of wooden filing cabinets, decorated with little wooden houses on the top of each one, with papers spilling out from them. On the far right is a wooden desk and chair.
A scene from The Government Inspector at Chichester Festival Theatre Image: Ellie Kurttz 2025

The Theatre Green book isn’t just about where the materials used in a show come from. It is also important that we think about their future use and keep as much as we can to be reused or repurposed, for our own shows or across the industry. The intricate houses are being kept for future use, and the floor is going on to be used in one of the Future Theatre Makers performances in The Nest.

The Unlikely Pilgrimage of Harold Fry

When building the set and props for this show, the prop and scenic workshop Illusion Design & Construct embraced Green Book principles. The materials used to make the barrels were reclaimed from a real brewery and from other productions, including Clueless The Musical, Sam Fender and the Brit Awards!

Many characters are gazing wondrously at a man is standing atop a barrel in the centre of the stage. He has his arms wide open. Some of the ensemble are holding tree branches with ribbons tied to them. There are many barrels stacked in the background and others placed amongst the group of people.
Mark Addy and company in The Unlikely Pilgrimage of Harold Fry at Chichester Festival Theatre Image: Manuel Harlan 2025

We recently welcomed our two prop makers, Beck and AJ, who are embracing the Theatre Green Book and finding innovative ways of making props with more sustainable materials. The placards and stationary cupboard insert for the phone box were all made using recycled timber and materials we already had. Did you recognise the telephone box from one of our past productions?

Two members of the crew stand on stage amongst the set: there are barrels littered around the stage floor and a telephone box stands behind them, with atmospheric blue lighting and a pile of barrels in the background.
Prop makers Beck and AJ on the set of The Unlikely Pilgrimage of Harold Fry at Chichester Festival Theatre Image: Tim Hills 2025
A filing cabinet packed with ring binders, papers and stationary.
A close up of the set for The Unlikely Pilgrimage of Harold Fry at Chichester Festival Theatre Image: Tim Hills 2025
An older man wearing casual clothes is stood inside a worn-down red telephone box. His hands are clasping the doorframe, and he is looking slightly worried. To his right, a young man dressed in an almost threadbare green jumper with a crown of leaves in his hair is gazing up at him inquisitively. On the other side, a shaggy dog puppet operated by a puppeteer is also looking at the man in the phone box.
Mark Addy Jack Wolfe and Timo Tatzber in The Unlikely Pilgrimage of Harold Fry at Chichester Festival Theatre Image: Manuel Harlan 2025

It’s been a great green start to our Festival season! Thank you to our brilliant staff team, suppliers and freelancers who are dedicating extra time, energy and exciting creative ideas to join us on our Theatre Green Book journey.