Christopher Shutt

Previously at Chichester The House of Special Purpose.

Other theatre includes War Horse; The Treatment (Almeida); Escaped Alone, The Sewing Group, Love and Information, Aunt Dan and Lemon, Serious Money, Road (Royal Court); Twelfth Night, Here We Go, The Beaux' Stratagem, Man and Superman, The James Plays (I & II); From Morning to Midnight, Burnt By the Sun, Every Good Boy Deserves Favour, Coram Boy, A Minute Too Late, Play Without Words, Machinal (National Theatre); Oppenheimer (and West End); The Two Gentlemen of Verona, Wendy and Peter Pan, The Tempest, King Lear, Romeo and Juliet, King John, Much Ado About Nothing (RSC); Saint Joan, Faith Healer, Privacy, Philadelphia Here I Come! (Donmar); Disappearing Number, Elephant Vanishes, Mnemonic, Noise of Time, Street of Crocodiles, Three Lives of Lucie Cabrol, The Caucasian Chalk Circle (Complicite); War Horse, A Human Being Died That Night, Macbeth, All My Sons, The Resistible Rise of Arturo Ui, Happy Days, A Moon for the Misbegotten, Coram Boy, Not About Nightingales, Mnemonic (Broadway/NY); Wild (Hampstead); Entertainer, The Winter’s Tale (West End); The Father (Theatre Royal Bath/Tricycle/West End); Hamlet, Julius Caesar (Barbican); Bull (Young Vic); All About My Mother, Life x 3 (The Old Vic); Desire Under the Elms, Blasted (Lyric Hammersmith); Thyestes (Arcola); Shoes (Sadler’s Wells); Drum Belly (Abbey Dublin); Man of Aran (Live Film Soundtrack - Druid Galway); Little Otik, The Bacchae (National Theatre of Scotland).

Awards include Tony Award (War Horse); Evening Standard Theatre Award (A Disappearing Number); New York Drama Desk Award (War Horse, Mnemonic, Not About Nightingales).