Previously at Chichester ENRON (and Royal Court, Noël Coward Theatre and Broadway).
Choreography includes The Hostage (RSC Barbican), I Giganti della Montagne and La Calisto (Batignano), Der Stein die Weisen (Garsington), Time and the Conways and This House (National Theatre), Sondheim’s Passion (Donmar Warehouse), Earthquakes in London (National Theatre/UK Tour), Lord of the Flies (New Adventures/Theatre Royal Glasgow and UK Tour), The Merchant of Venice (RSC/Almeida), Decade (Headlong), The Phantom of the Opera (Cameron Mackintosh UK/US tours), Chariots of Fire (Hampstead/Gielgud. Olivier nomination for Best Choreography), Der Zigeunerbaron (Stadttheater Klagenfurt), #AIWW, Wonderland and Hapgood (Hampstead), Candide (RSC), Oppenheimer (RSC/Vaudeville), The Wasp (Hampstead Downstairs/Trafalgar Studios), King John (Royal & Derngate/Shakespeare’s Globe), Pride and Prejudice (Sheffield Crucible), Medea (Almeida).
As Matthew Bourne’s Assistant Peer Gynt (RSC Barbican), Oliver! (London Palladium), staging of Swan Lake section in Billy Elliot (Working Title), My Fair Lady (National Theatre/ Drury Lane), South Pacific (National Theatre), Play without Words (National Theatre).
Performing work includes Extemporary Dance Theatre, ENO, ROH, DV8 and, with New Adventures, the UK/world tours of The Car Man, Cinderella, Swan Lake, Highland Fling, Nutcracker!, Play Without Words, Edward Scissorhands.
Television and film includes The Car Man, Swan Lake, Roald Dahl’s Little Red Riding Hood, Drip: A Love Story, Late Flowering Lust, OK2, and as Choreographer Beastie!, Mrs Hartley and the Growth Centre, The Hollow Crown – Richard II.
Scott trained at the Ballet Rambert School and is an Associate Artist of Matthew Bourne’s New Adventures.