Paul Arditti

Previously at Chichester Caroline, Or Change (also Hampstead & West End).

Recent sound designs include Local Hero (Lyceum Edinburgh); The Inheritance (Young Vic and West End); The Jungle (Young Vic, West End, St Ann’s Warehouse Brooklyn and The Curran San Francisco); The Prime of Miss Jean Brodie (Donmar Warehouse); Absolute Hell, Pericles, Macbeth, Mosquitoes, Amadeus, The Threepenny Opera,Ma Rainey’s Black Bottom, Behind the Beautiful Forevers, Everyman, Edward II,London Road (National Theatre); Beginning (National Theatre and West End); (National Theatre, Manchester International Festival and Théâtre du Châtelet Paris); Shipwreck, Bacchae, Little Revolution, American Psycho (Almeida); King Charles III (Almeida, West End, UK tour and Broadway); Mary Stuart (Almeida and West End); Hamlet (RADA); Labour of Love (West End); Julius Caesar (Bridge Theatre); The Emperor (Young Vic, HOME Manchester and New York); A Midsummer Night’s Dream, If You Kiss Me Kiss Me, Measure for Measure (Young Vic); Charlie and the Chocolate Factory (West End); Billy Elliot The Musical (West End, Broadway, UK tour and worldwide).

Paul’s awards include a Tony Award, a Drama Desk Award and an Olivier Award for Billy Elliot the Musical, Tony nominations for Mary Stuart and One Man Two Guvnors on Broadway, Olivier Award for Saint Joan at the National Theatre, Olivier nomination for Amadeus at the National Theatre, Evening Standard Award for Festen in the West End, Drama Desk Award for The Pillowman on Broadway. Paul is jointly nominated for a 2019 Olivier Award with Christopher Reid for their sound design on The Inheritance.

Paul is a founder member of the Association of Sound Designers and an Associate Director of the National Theatre.