Previously at Chichester Composer for Neville’s Island (Theatre in the Park and West End); If Only and King Lear (and BAM) (Minerva Theatre)
Theatre includes ASComposer/Sound Designer Experience (Hampstead Theatre); Three Sisters (Lyric Theatre Belfast); The Philanderer (Orange Tree); Dutchman (Young Vic); The End of Longing (Playhouse Theatre West End); The Damned United (West Yorkshire Playhouse); Kite (London International Mime Festival); By the Bog of Cats (Abbey Theatre); The One That Got Away,Exit the King (Ustinov); Billy Liar,Orlando So Here We Are (Manchester Royal Exchange); Posh (Nottingham Playhouse/Salisbury); Uncle Vanya (St James Theatre); Incognito (Bush Theatre. Off West End Award for Best Sound Design); Not the Worst Place (Sherman Cymru); Yellow Face (National Theatre); Lampedusa, Fleabag, The Girl With the Iron Claws, Blink (Soho Theatre); the Ideal World season (Palace Theatre Watford); Forever House (Theatre Royal Plymouth); Sleuth (The Watermill); Mydidae (Traverse Theatre West End); Gruesome Playground Injuries (Gate Theatre); as Composer The Seven Acts of Mercy,Hecuba (RSC); The Hook (Royal & Derngate); Hope Place (Liverpool Everyman); as Musical Director The Boy I Love (V&A); A Woman Killed With Kindness (National Theatre); A Christmas Carol (Lowry Theatre).
Television as Composer Fleabag,War and Peace (additional music); The Frozen Planet: Making Of, Secret Symphony; Orchestrator/Arranger Life, Fungus the Bogeyman, Man.
Radio as Composer Gilead.
Films as Composer James (Winner Best Composer Underwire Film Festival); Tracks,Physics (Winner BFI Best Film Best of Boroughs); as Orchestrator/Arranger Dark Horse, The Imposter; as Orchestrator/Arranger The Day of the Flowers
Other projects include 12 minute commission for orchestra, choir and electronics for Durham Lumiere (Artichoke); and an opera based on Angela Carter’s short stories, The Bloody Chamber.