Theatre credits include Prodo/Man in Cell/3^rd Sailor in Scenes From an Execution (Sweet Pea Productions), Doctor/Silvio in The Duchess of Malfi (West Yorkshire Playhouse), Kendal in The Changing Room (Royal Court), Pangloss in Candide, Benedick in Much Ado About Nothing, Tusenbach in Three Sisters, Duncan/Porter in Macbeth and Histangua in A Flea in Her Ear (LAMDA), Mavolio in Twelfth Night, Austin in True West, Birdboot in The Real Inspector Hound and Skin Lad/Jerry in Road(University of Durham).

 

Oliver writes for and runs En Masse, a children’s touring theatre company. He has written three plays, The Echo Chamber, The Ignatius Trail and The Shelter for which he has won two Fringe First writing awards.

 

Trained at LAMDA.

Previously at Chichester appeared as Lydia Cruttwell in In Praise of Love and Beth in Three Women and a Piano Tuner (Minerva Theatre).

 

Theatre credits include Alice in Elective Affinities and Stephanie in Eric La Rue (RSC/Soho Theatre), Adrianna in Comedy of Errors (RSC/West End), Therese in Solstice (RSC), Goneril in King Lear, Judith in The Possibilities and When We Dead Awaken (Almeida), Maria Fitzherbert in Battle Royal,Melinda in The Recruiting Officer , The White Chameleon, Thea Elvstead in Hedda Gabler, Beatrice in The Voysey Inheritance, Clare Folliatt in The Shaughraun and Sophia in Piano (National Theatre), Mother in By Many Wounds (Hampstead Theatre), Lady Fidget in The Country Wife (Sheffield Crucible), Heather in Neverland (Royal Court), Lavinia in The Cocktail Party (Edinburgh Festival), Hermione in The Winter’s Tale (RSC tour.  Helen Hayes Washington DC nomination for Best Actress), Ellie Dunn in Heartbreak House (Lyceum Theatre, Edinburgh), Celia in As You Like It (Royal Exchange), Madame de Tourvel in Les Liaisons Dangereuses (RSC/West End/Broadway.  Drama Desk New York nomination for Outstanding Actress in a Featured Role).

 

Television credits include Fear Stress and Anger, Murphy’s Law, My Family, Life Begins (3 series), Absolute Power, The Lost Prince, Midsomer Murders, Armadillo, Microsoap, The Vet, A Mind to Murder, Between the Lines, Soldier Soldier, You Me and It, ‘Tis Pity She’s a Whore, Secret Orchards, The Cherry Orchard, Troilus and Cressida, An Office Romance, Sharma and Beyond, Love in a Cold Climate, Bleak House, Hard Traveling, The Rivals, Campion, Poirot and Boon.  Films include Gertler, The Devotee, Very Like a Whale, The Escort and Strapless.

 

Trained at RADA.

Theatre credits include most recently Kenneth Lake in French Without Tears (English Touring Theatre). Other credits include 24 Hour Plays – Guy Fawkes Night (Old Vic New Voices), Romeo and Juliet (Antic Disposition), All Alone (Dublin Gay Theatre Festival. Best Actor Award), Macbeth (Community 20), Mancub (Vanishing Point).

 

Films include Tent Boy, Remember My Friend, Commitments.

 

Trained at East 15.

Previously appeared at Chichester as Macduff in Macbeth (also West End and Broadway), Feste in Twelfth Night, Woland in The Master and Margarita, Mephistopheles in Faustus, Nathan in Nathan the Wise, Dorn in The Seagull, Scrooge in A Christmas Carol and The Dauphin in Vivat! Vivat Regina!

 

National Theatre credits include Genady in The Forest, Ariel in The Tempest (Plays and Players Award for Most Promising Newcomer), Foster in No Man’s Land, Bobby in American Buffalo, Mayhew in Dispatches, Raymond in Watch It Come Down. 

West End credits include John Gielgud in Plague Over England (Duchess  Theatre. Evening Standard Theatre Award nomination for Best Actor), Anthony Kersley QC in The Accused (Haymarket), Renfield in The Passion of Dracula (Queen’s Theatre), Woof in the original cast of Hair (Shaftesbury Theatre), Barratt in The Servant and Fagin in Oliver Twist (Lyric Hammersmith).

RSC credits include Faust in Faust 1 & 2, The Duke in Measure for Measure and Becket in Murder in the Cathedral.

Other theatre credits include Theseus in Phaedra (Donmar Warehouse), The World’s Biggest Diamond, Card Player in Prairie de Chien, John in The Shawl, Joe Conran in Ourselves Alone and The Witch in Elizabeth I (Royal Court Theatre), Subtle in The Alchemist, Billy Bigelow in Carousel, Roland Maule in Present Laughter, Henry Antrobus in Skin of Our Teeth, Telyeghin in Uncle Vanya and Nick in What the Butler Saw (Manchester Royal Exchange), Lopakhin in The Cherry Orchard (English Touring Company), Macheath in The Beggar’s Opera (Wilton’s Music Hall), Narrator in Prokofiev’s Romeo and Juliet with Rostropovich (The Barbican Concert Hall), Verkhovensky in The Possessed (Almeida and European tour), Ivanov in Every Good Boy Deserves Favour (Royal Festival Hall), Fitzroy in After Darwin and Harold in Clever Soldiers (Hampstead Theatre), Mercutio in Romeo and Juliet (Shaw Theatre), Bernie in Sexual Perversity in Chicago (Sir Richard Steele), Jean in Miss Juliet (Liverpool Playhouse).

Television includes Silent Witness, Miss Marple: Ordeal by Innocence, Inspector Lynley, Sinking of the Lusitania, New Tricks, Trial and Retribution, Murphy’s Law, The Virgin Queen, Jericho, The Steven Lawrence Case, Midsomer Murders, Touching Evil 1, 2 & 3, Kavanagh QC, Miss Marple: A Caribbean Mystery, A Touch of Frost, Inspector Alleyn, Underbelly, Resnick, Clarissa, Bergerac, Shadow of the Noose, Studio, Nightwatch, Blind Justice, Fields of Gold.

 

Radio includes Giovanni’s Room (to be broadcast later this year), Tinker Tailor Soldier Spy, The Spy Who Came in From the Cold, The Secret Pilgrim, The Thebans, The Trial and Death of Socrates, The Winter’s Tale.

 

Films include Macbeth (film of original CFT production), There Be Dragons, Deaths of Ian, Penelope, Long Time Dead, Young Blades, Sleepy Hollow, Velvet Goldmine, Prometheus, The Tribe, The Fool, McVicar, Did You Scream?, The Draughtsman’s Contract, Brother Sun Sister Moon.

Theatre credits include Hermione in The Winter’s Tale and Thaisa in Pericles (RSC), Polyxena in Hecuba (Donmar Warehouse), Gladriel in The Lord of the Rings Workshop (The Lord of the Rings Ltd), Desdemona in Othello (Northampton Royal Theatre), Helena in A Midsummer Night’s Dream (Bristol Old Vic), Rosaline in Love’s Labour’s Lost (National Theatre), title role in Mariana Pineda (Gate Theatre), Tash in Tender (Hampstead/Birmingham/Plymouth), Chorus in Medea (Queens Theatre), Gaoler’s Daughter in The Two Noble Kinsmen and Iris in The Tempest (The Globe), Nativity and Dinarzard/Parizade in Arabian Nights (Young Vic), Regina in Ghosts (Plymouth Theatre Royal), Juliet in Romeo and Juliet (Greenwich/tour), Death/Gabriel in Comic Mysteries, Viola in Twelfth Night and Flamina in Love is the Drug (Oxford Stage Company), Nancy in Swaggers (Old Red Lion. Time Out Best Fringe Play Award).

 

Television credits include Foyle’s War, After Thomas, Blade Camp, Midsomer Murders, Murphy’s Law, Spine Chillers, Silent Witness, The Bill, Doctors, Dalziel and Pascoe, Urban Gothic: The End, EastEnders, Holby City, The Infinite Worlds of HG Wells, Getting Hurt, World’s First, Lizzie’s Pictures, Catching Light.

 

Radio credits include Interviews, The Say I Shot a Man and Killed Him, Mansfield Park, A Night in Fifty Four.

 

Films include The Golden Age, 77 Beds, Vanity Fair, A Changed Man, Pure, Beautiful People.

Theatre credits include A Response to Twelfth Night (Filter/RSC), The Prime of Miss Jean Brodie and Poor Mrs Pepys (New Vic), ACDC (Royal Court), Cleansed (Oxford Stage Company), Who By Fire and Skinworks (Bodies in Flight/BOV), Seven and a Half Minutes of Happiness, Disect and Eve (Theatre of Apostrophe/BOV), Reception (Theatre West).

 

Television and film credits include Sea of Souls, Accused, New Tricks, Life Begins, Meet the Magoons, The Giblets, Servants, Half Light.

 

Radio credits include Three Off the Tee, Double Income No Kids Yet, My Blue Heaven.

 

Studied at Bristol University.

Previously appeared at Chichester as Sir Andrew Aguecheek in Twelfth Night (Festival Theatre) and Malcolm in Macbeth (Minerva Theatre, West End and Broadway).

 

Theatre credits include Jesus in Son of Man (Northern Stage. NE Culture Awards nomination for Performance of the Year), Triogorin in The Seagull (Bristol Old Vic), Faustus in Faustus (Royal Theatre Northampton and Hampstead Theatre), Arthur in Teeth and Smile (Crucible), Horatio in Hamlet (Bouffes du Nord world tour), David in Victoria, Orsino in Twelfth Night, Bassanio in The Merchant of Venice and Ariel in The Tempest (RSC), Sandy Tyrell in Hay Fever (tour and West End), Ferdinand in The Duchess of Malfi (Ian Charleson Award nomination) and Orlando in As You Like It (all Cheek by Jowl/West End), Eric in An Inspector Calls (Aldwych).

 

Television credits The Courageous Heart of Irene Sendler, The Bill, The Yellow House, The Haunting of Toby Jugg, Midsomer Murders, Love from Colditz, Henry VIII, The Dark Heretic, Under the Sun, Dangerfield, The Moonstone, True Love, The Merchant of Venice, Heroes and Villains, Casualty, Poirot.

Radio credits include The Stranded Eagle, The Merry Wives of Windsor, The Prince, The Adventures of Claudine, Sara, The Pallisers, Kepler, The Bird in the Tree, Severn Sea, The Tempest.

 

Films include Seach’d, Match Point, Tulse Luper Suitcase, The Gospel According to St John, Skagggerak, Shadowlands, Hamlet, A Knight’s Tale.

 

Trained at Central School of Speech and Drama.

 

Scott is a visiting director at Central School of Speech and Drama and LAMDA.

Previously appeared at Chichester as Joseph in The Father (Minerva Theatre).

 

Theatre credits include Graeme in Ned and Graeme (Hightide Festival), Mike in Mike’s Wishes (Arcola Theatre, The Miniaturists), the comedy show Jesus Christ Its Christmas (Bristol Old Vic Theatre), Anthony Eden in Opportunism Duplicity Paranoia (Candid Arts), Yuri in Angry Young Man (Adelaide Festival, BAC, Edinburgh Festival, Pleasance Theatre), Peanut in Cinderella (Vanbrugh Theatre), Lord Louis ‘Dickie’ Mountbatten in Making Dickie Happy (Croydon Warehouse and Rosemary Branch Theatre), English Boy in Guardians (Theatre 503, Edinburgh Festival, Pleasance Theatre. Fringe First Award 2005), Arthur Gower in Trelawny of the ‘Wells’ (Finborough Theatre), Philip Faulconridge The Bastard in King John (Space Theatre), Louis in Bang On the Nerve (Theatre 503), Charles in Western (Live Theatre Newcastle, Prague International Festival, Edinburgh Festival) William Joyce Lord Haw Haw in the World Premiere of A Million Hearts for Mosley, Nasty Interesting Man/Lord of the Underworld in the European Premiere Eurydice (LAMDA). Hywel co-runs the award-winning MahWaff Theatre Company.

 

Films include The Grind, Running for River and Breakdown.

 

Trained at LAMDA.

Theatre credits include most recently Gertrude’s Secret (King’s Head and New End Theatres). Other credits include Stephano in The Tempest (Liverpool Playhouse), Broughton/Hardy/Sergeant Major in Journey’s End (tour and West End), Friar Lawrence in Romeo and Juliet (Southwark Playhouse), Mickey Rale in Roleplay, Det Sgt Dan Endicott in Gameplan and Tommy Angel in Flatspin (Duchess Theatre, West End), The Husband in Summer’s Day (Palace Theatre Westcliff), Coolie in The Mikado (Sadler’s Wells), Chief Alien in Eagle Fruit (Corbett Theatre) and a season at Sidmouth Rep. 

 

Films include The Lake.   

Theatre credits include Princess Jill in Jack and the Beanstalk (Waterfront Hall Belfast), Juliet/Mercutio in Romeo and Juliet (Volcano Theatre Company), Mary Fisher in Ecstasy (Elan Wales), Kate in The Taming of the Shrew, Sally in A Lie of the Mind and Anna in Dolly West’s Kitchen (RWCMD).

 

Television credits include The Private Life of a Masterpiece: Klimt’s The Kiss.

 

Films include Muted World.

 

Trained at Royal Welsh College of Music and Drama.

Theatre credits include Frosch in Faust, Wayfarer in The Cherry Orchard, Peter in The Taming of the Shrew, Barnadine in Measure for Measure and 1^st Gentleman in Cymbeline(RSC), Bluebeard in Beasts and Beauties (Bristol Old Vic), Frank Lubey in All My Sons (Northcott Theatre), Andreas in Woyzeck (The Gate).

 

Television credits include Serious and Organised and Doctors.

 

Films include Die Another Day and The Night Swimmer.

 

Trained at The Poor School.

Theatre credits include Yakov in The Seagull, Gary in AC/DC and The Bundler in Alice Trilogy(Royal Court), Jim in The Water Harvest (National Theatre Studio), Jake Quinn in Stones in His Pockets (New Ambassadors, West End/national tour), Frank Sweeney in Molly Sweeney (Theatr Clwyd/national tour), Lollio in The Changeling and Curley in Of Mice and Men (Southwark Playhouse), Edward Sheridan in  Someone Who'll Watch Over Me (Palace Theatre Westcliff/national tour), Fin in Into the West/Tir Na N’Og (Harbourfront Centre Toronto/USA tour), The Chorus/Aide in  Antigone (Sheffield Crucible/national tour), Conlag/O’Rourke in The Romans in Britain (Man in the Moon Theatre), Montano in Othello and Ross in Macbeth (Riverside Studios), and Memphonius in Cardenio (Shakespeare's Globe), Betty/Edward in Cloud Nine (Lyric Hammersmith) and Marshall of France in King Lear (West Yorkshire Playhouse).

 

Television credits include Titanic: Birth of a Legend and Bass Odessy.

 

Films include That Deadwood Feeling and Lone Clouds.

Theatre credits include title role in Cyrano de Bergerac, Iago in Othello, Jaques in As You Like It, Trevor Nunn’s World Premiere of Sophie’s Choice, Macbeth (HMP Pentonville), The Play What I Wrote and Desmond Barrit’s Dick Whittington.

 

Films include The Universal Hamlet (Toronto Film Festival 2001 Runner Up for his portrayal of Hamlet).

 

Trained at LAMDA.

Previously appeared as Chichester as Viola in Twelfth Night (Festival Theatre) and Witch in Macbeth (Minerva Theatre).

 

Theatre credits include Jean Rice in The Entertainer, Bunty Mainwaring in The Vortex and Cecily Cardew in The Importance of Being Earnest (Manchester Royal Exchange Theatre), Marguerite in The Story of Vasco and Esther in Strange Orchestra (Orange Tree Theatre), Juliet in Romeo and Juliet (English Touring Theatre), Lavinia in Titus Andronicus (Ian Charleston Award nomination), Luciana in The Comedy of Errors, Old Eve in Man Falling Down and Marina in Pericles (Shakespeare’s Globe), The Slave/Corda in The Romans in Britain (Sheffield Crucible), Ophelia in Hamlet (Barbican and UK tour), Gerd in Brand (RSC), Beauty in The Sleeping Beauty (Northampton Theatre), Ariel in The Tempest (National Theatre Education), Sybil in Private Lives (Volcano Theatre Company), Manon in Manon/Sandra (Edinburgh Festival), Silence in Silence (Stephen Joseph Theatre).

 

Television includes Lewis, Where the Heart Is, Holby City, Trust, Murder in Mind, Young Arthur, The American Embassy.

 

Radio includes The Lonely, Ruth, The Pillowbook, The Franchise Affair, The Dalek Empire, Being Medea.

 

Films include Metamorphosis, Love Actually, The Dentist, Spiritual Rampage.

 

Trained at Welsh College of Music and Drama.

Previously appeared at Chichester as Capulet in Romeo and Juliet and Adolphus Cusins in Major Barbara.

Theatre credits include Norfolk in A Man for All Seasons (Tour and Theatre Royal Haymarket) and Mr Kipps in The Woman in Black (Fortune Theatre), Reverend Hale in The Crucible (Birmingham Rep), Polonius in Hamlet and Philip in Relatively Speaking (Royal Theatre Northampton), Elyot Chase in Private Lives (York Theatre Royal), Marjavel in The Threesome (Lyric Hammersmith), George Duval in Camille (Lyric Hammersmith and UK Tour), Duke of Albany in King Lear (Almeida Theatre), Greg in So Long Life (Bath Theatre Royal and UK Tour), Further Than the Furthest Thing (RNT/Tron co-production at Tricycle Theatre London and South African Tour), The Inspector in An Inspector Calls, Oscar Wilde in The Invention of Love, Bernard Nightingale in Arcadia, Flan in Six Degrees of Separation, Stephen in Made in Bangkok, Geoff in Absurd Person Singular and Henry in The Real Thing (West End), created the role of Tom French in Secret Rapture, George Tesman in Hedda Gabler, Danforth in The Crucible and Kendall Nesbitt in Lady in the Dark (National Theatre), Argan in The Hypochondriac and Burt Hines in Proposals (West Yorkshire Playhouse), Tybalt in Romeo and Juliet, Edmund in King Lear, title role in Dingo, Richmore in The Twin Rivals, Leontes in The Winter’s Tale, Achilles in Troilus and Cressida (RSC), Valmont in Les Liaisons Dangereuses (RSC Tour), Antony in Antony and Cleopatra and title role in Julius Caesar (Shakespeare’s Globe), Astrov in Uncle Vanya, title role in Uncle Vanya, Sir John Restless in All in the Wrong, title role in Macbeth, Manny in Mr Director and Peter in What the Heart Feels (Orange Tree Theatre Richmond).

 

Television credits include A Tale of Two Cities, Secret Army, The Fourth Arm, Paradise Postponed, Titmuss Regained, Revelations and Heartbeat.

 

Films include Oh! What a Lovely War, Macbeth and It Shouldn’t Happen to a Vet.

Paul has toured and taught at various universities in the USA and has recorded numerous audio books. At the Orange Tree Theatre he directed The Seagull and, last year, a Shaw double-bill, Village Wooing and How He Lied to Her Husband.

Previously appeared at Chichester as Malvolio in Twelfth Night (Festival Theatre) and Macbeth in Macbeth (Minerva Theatre, Gielgud Theatre, Brooklyn Academy of Music New York, Lyceum Theatre Broadway New York. Evening Standard Best Actor Award, Olivier Best Actor Nomination and Tony Award Nomination for Best Actor).

 

Theatre credits for the RSC include Claudius in Hamlet (Olivier Award for Best Performance in a Supporting Role), Prospero in The Tempest, Antony in Antony and Cleopatra, title role in Henry IV, title role in Titus Andronicus, Leontes in The Winter’s Tale, Shylock in The Merchant of Venice (SWET Best Actor Nomination), Enobarbus in Antony and Cleopatra (SWET Best Actor Award), Shakespeare in Bingo, Oberon in A Midsummer Night’s Dream, Doctor in Every Good Boy Deserves Favour, Basho in The Bundle, Larry Slade in The Iceman Cometh, Eilert Lovborg in Hedda Gabler, Astrov in Uncle Vanya, Aaron in Titus Andronicus, Cassius in Julius Caesar, Aufidius in Coriolanus, title role in King John, Edward IV in Richard III, Hippolito in The Revenger’s Tragedy, Hector in Troilus and Cressida, Touchstone in As You Like It, Worthy in The Relapse, Grumio in The Taming of the Shrew.

 

Other theatre credits include Vladimir in Waiting for Godot (UK tour and Theatre Royal Haymarket), Robert in A Life in the Theatre (Apollo), Halvard Solness in The Master Builder (UK tour and Albery), Shylock: Shakespeare’s Alien and Robert Johnson in Johnson Over Jordan (West Yorkshire Playhouse), George in Who’s Afraid of Virginia Woolf? (Guthrie Theatre Minneapolis), Lyman Felt in The Ride Down Mount Morgan (Public Theatre New York and Broadway), Davies in The Caretaker (Broadway), title role in Othello (Shakespeare Theatre Washington DC), Prospero in The Tempest (Delacorte Theatre New York and George Wolfe Broadhurst Theatre New York), Scrooge in A Christmas Carol (Los Angeles, Broadhurst Theatre New York, Old Vic Theatre, Richard Rodgers Theatre New York. Olivier Award Best Entertainment, Drama Desk Award Best Solo Performer, What’s On People’s Choice Award Best Solo Performance), George in Who’s Afraid of Virginia Woolf?  (Young Vic. London Fringe Best Actor Award), Yonadab in Yonadab (National Theatre), Galileo Galilei in The Life of Galileo (Bristol Old Vic).

 

On television he originated the role of Jean-Luc Picard in the series Star Trek: The Next Generation (SAG Best Actor Nomination) which aired from 1987 to 1994. Other television credits include Eleventh Hour, Extras (Emmy Nomination for Outstanding Guest Actor in a Comedy Series), The Lion in Winter (Golden Globe Nomination for Best Performance by an Actor in a Mini-Series or TV Movie), Frasier, King of Texas, A Christmas Carol (Screen Actors Guild Nomination for Outstanding Performance by an Actor in a TV movie or Mini-Series), Moby Dick (Emmy Award Nomination for Outstanding Lead Actor in a Mini-Series or Movie, Golden Globe Nomination for Best Performance by an Actor in a Mini-Series or TV Movie), The Canterville Ghost, The Devil’s Disciple, Hamlet, Smiley’s People, Tinker Tailor Soldier Spy, I Claudius, North and South, Antony and Cleopatra, Fall of Eagles, Television voice work includes American Dad, Family Guy, Earth, Animal Farm, The Simpsons.

 

Films include X-Men:The Last Stand/X-Men 2/X-Men, The Game of Their Lives, Star Trek: Generations/First Contact/Nemesis, Safe House, Dad Savage, Masterminds, Conspiracy Theory, Let It Be Me, Jeffery, Robin Hood: Men in Tights, LA Story, Lady Jane, The Doctor and the Devils, Lifeforce, Dune, Excalibur, Little Lord Fauntleroy, Hedda. Film voice work includes Chicken Little, Steamboy, Jimmy Neutron: Boy Genius, Nausica: Valley of the Winds, The Prince of Egypt, Pagemaster.

 

Trained at Bristol Old Vic Theatre School.

 

 Theatre credits include Sing Yer Heart Out for the Lads (Pilot Theatre Tour), Henry V (National Theatre), The Beggar’s Opera (Richmond Orange Tree), Rose Rage (Haymarket and Tour), Mountain Language (Royal Court).

 

For the RSC, Thomas More, Sejanus: His Fall, Believe What You Will, Back To Methuselah, Richard II, Romeo and Juliet. 

 

Television includes Casualty, A Touch of Frost, The Bill, Bombshell, The Brief, Mine All Mine, Single, Foyle’s War, Midsomer Murders, The Bench and Bomber.

Radio credits include Rapid Response, Madam Butterfly's Child, Sport Shorts, Supermarket Checkout. 

 

Films include Wondrous Oblivion.

 

Trained at LAMDA. BBC Carleton Hobbs Award Winner.

Theatre credits include Boss Mangan in Heartbreak House (Watford), Bill in Scenes from the Back of Beyond (Royal Court), Father in Rabbit (Trafalgar Studios), Reagan in Gaddafi (ENO), Oberon/Theseus in A Midsummer Night’s Dream (RSC/City of London Sinfonia and Globe/Orchestra Age of Enlightenment), Sheldrake in Promises Promises (Sheffield Crucible), Canfield in Silk Stockings (Lost Musicals), Derek in A Conversation (Best Actor nomination MEN Awards), Charles Condomine in Blithe Spirit (Manchester Royal Exchange), Simonides in Pericles (Lyric Hammersmith), Protection (Soho Theatre), Stephen in Dealer’s Choice and Bernie in My Night with Reg (Birmingham Rep), March Hare in Alice in Wonderland, Gratiano in The Merchant of Venice and Don Pedro in Much Ado About  Nothing (RSC), Oberon in A Midsummer Night’s Dream, Boyet in Love’s Labour’s Lost, Gage in Gentlemen Prefer Blondes and Hector in Troilus and Cressida (Regents Park), Theseus in Two Noble Kinsmen, Antonio in The Tempest, Ethelbert in St Augustine’s Oak and Solinus in The Comedy of Errors (The Globe), Theseus in Phaedre (BAC), Pierre Guerre in Martin Guerre and Evelyn Oakleigh in Anything Goes (Prince Edward Theatre West End), Proctor in The Crucible and Elyot in Private Lives (Salisbury), Salieri in Amadeus and Elephant Herd (Northcott Theatre), Madness in Valencia (Gate), La Chunga (Old Red Lion), Trumpets and Drums (York), Marlow in She Stoops to Conquer (Liverpool Everyman), Duncan/Macduff in Macbeth, Theseus/Oberon in A Midsummer Night’s Dream, Dorimant in The Man of Mode, Andromache, Pericles and Vanity Fair (Cheek by Jowl).

 

Television  and film credits include Judge John Deed, The Somme, Rosemary and Thyme, Doctors, Abolition, Holby City, Cromwell Warts and All, Charles II, Foyle’s War, Prince William, The Knock, Family Affairs, Killer Net, Pie in the Sky, The Bill, Dangerfield, Do the Right Thing, You Me and It, Casualty, Trainer, Queen of Fruit, Poirot, Bergerac, High Street Blues, Rumpole of the Bailey, At the Café Continental, The Money Men.

Trained at the Drama Centre, London.