| Year | Artistic Director | Production |
Show Director
|
|---|---|---|---|
|
2009 |
JONATHAN CHURCH |
Festival Theatre |
|
|
|
|
NIKOLAI FOSTER | |
|
|
|
TREVOR NUNN | |
|
|
|
JOHN DOYLES | |
|
|
|
JONATHAN CHURCH | |
|
|
|
PHILIP FRANKS | |
|
|
|
|
|
|
|
|
Minerva Theatre |
|
|
|
|
RICHARD EYRE | |
|
|
|
PHILIP FRANKS | |
|
|
|
PHILIP FRANKS | |
|
|
|
ANGUS JACKSON | |
|
|
|
HOWARD DAVIES | |
|
|
|
RUPERT GOOLD | |
|
|
|
|
|
| 2008 | JONATHAN CHURCH | Festival Theatre | |
|
|
|
PHILIP FRANKS | |
|
|
|
RACHEL KAVANAUGH | |
|
|
|
JONATHAN CHURCH | |
|
|
|
HAMISH MCCOLL | |
|
|
|
|
|
|
|
|
Minerva Theatre |
|
|
|
|
ANGUS JACKSON | |
|
|
|
RUPERT GOOLD | |
|
|
|
PHILIP FRANKS | |
|
|
|
PHILIP FRANKS | |
|
|
|
NANCY MECKLER | |
|
|
|
|
|
|
|
|
Others (Promenade) |
|
|
|
|
DALE ROOKS | |
|
|
|
|
|
| 2007 | JONATHAN CHURCH | Festival Theatre | |
| THE LAST CONFESSION | DAVID JONES | ||
| BABES IN ARMS | MARTIN CONNOR | ||
| TWELFTH NIGHT | PHILIP FRANKS | ||
| HOBSON'S CHOICE | JONATHAN CHURCH | ||
| NICHOLAS NICKLEBY Parts I & II | JONATHAN CHURCH
PHILIP FRANKS | ||
|
|
|
|
|
| Minerva Theatre | |||
| OFFICE SUITE | EDWARD KEMP | ||
| MACBETH | RUPERT GOOLD | ||
| THE WALTZ OF THE TOREADORS | ANGUS JACKSON | ||
| I AM SHAKESPEARE |
MATTHEW WARCHUS MARK RYLANCE | ||
| 2006 | JONATHAN CHURCH | Festival Theatre | |
| ENTERTAINING ANGELS | ALAN STRACHAN | ||
| CAROUSEL | ANGUS JACKSON | ||
| NICHOLAS NICKLEBY Parts I & II | JONATHAN CHURCH
PHILIP FRANKS | ||
| PRAVDA | JONATHAN CHURCH | ||
| Minerva Theatre | |||
| IN PRAISE OF LOVE | PHILIP WILSON | ||
| TONIGHT AT 8.30 Parts I & II | LUCY BAILEY | ||
| THE FATHER | ANGUS JACKSON | ||
| GRIMM TALES | DALE ROOKS | ||
| 2005 | MARTIN DUNCAN RUTH MACKENZIE STEVEN PIMLOTT | Festival Theatre | |
| THE GOVERNMENT INSPECTOR | MARTIN DUNCAN | ||
| SCAPINO, OR THE TRICKSTER | SILVIU PURCARETE | ||
| HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING | MARTIN DUNCAN | ||
| 5/11 | STEVEN PIMLOTT | ||
| Minerva Theatre | |||
| SIX PICTURES OF LEE MILLER | ANTHONY VAN LAAST | ||
| KING LEAR | STEVEN PIMLOTT | ||
| THE SCARLET LETTER | PHYLLIS NAGY | ||
| ARABIAN NIGHTS | DALE ROOKS | ||
| 2004 | MARTIN DUNCAN
RUTH MACKENZIE STEVEN PIMLOTT |
Festival Theatre | |
| OUT OF THIS WORLD | MARTIN DUNCAN | ||
| A MIDSUMMER NIGHT'S DREAM | GALE EDWARDS | ||
| JUST SO | ANTHONY DREWE | ||
| THE MASTER AND MARGARITA | STEVEN PIMLOTT | ||
| Minerva Theatre | |||
| SEVEN DOORS | STEVEN PIMLOTT | ||
| CRUEL AND TENDER | LUC BONDY | ||
| THREE WOMEN AND A PIANO TUNER | SAMUEL WEST | ||
| DOCTOR FAUSTUS | MARTIN DUNCAN
EDWARD KEMP DALE ROOKS | ||
| 2003 | MARTIN DUNCAN
RUTH MACKENZIE STEVEN PIMLOTT |
Festival Theatre | |
| THE GONDOLIERS | MARTIN DUNCAN | ||
| THE MERCHANT OF VENICE | GALE EDWARDS | ||
| THE WATER BABIES | JEREMY SAMS | ||
| THE SEAGULL | STEVEN PIMLOTT | ||
| Minerva Theatre | |||
| NATHAN THE WISE | STEVEN PIMLOTT | ||
| HOLES IN THE SKIN | SIMON USHER | ||
| THE COFFEE HOUSE | SIMON GONELLA | ||
| I CAUGHT MY DEATH IN VENICE | MARTIN DUNCAN | ||
| PINOCCHIO | DALE ROOKS | ||
| 2002 | ANDREW WELCH | Festival Theatre | |
| THE FRONT PAGE | DOUGLAS WAGER | ||
| CABARET | LUCY BAILEY | ||
| ROMEO AND JULIET | INDHU RUBASINGHAM | ||
| THE LADY'S NOT FOR BURNING | SAMUEL WEST | ||
| WILD ORCHIDS | EDWARD KEMP | ||
| UP ON THE ROOF | ANGUS JACKSON | ||
| BLUNT SPEAKING | MARK CLEMENS | ||
| SONGS OF THE WESTERN MEN | ANDY BRERETON | ||
| DEAD FUNNY | LOVEDAY INGRAM | ||
| 2001 | ANDREW WELCH | Festival Theatre | |
| ON THE RAZZLE | PETER WOOD | ||
| THE WINSLOW BOY | CHRISTOPHER MORAHAN | ||
| MY ONE & ONLY | LOVEDAY INGRAM | ||
| THE THREE SISTERS | LOVEDAY INGRAM | ||
| Minerva Theatre | |||
| SONG OF SINGAPORE | ROGER REDFARN | ||
| SHANG-A-LANG | ANDY BRERETON | ||
| IN CELEBRATION | SEAN HOLMES | ||
| THE SECRET RAPTURE | INDHU RUBASINGHAM | ||
| PUTTING IT TOGETHER | EDWARD HALL | ||
| ALICE'S ADVENTURES | DALE ROOKS | ||
| 2000 | ANDREW WELCH | Festival Theatre | |
| THE RECRUITING OFFICER | JAMES KERR | ||
| HEARTBREAK HOUSE | CHRISTOPHER MORAHAN | ||
| A SMALL FAMILY BUSINESS | RACHEL KAVANAUGH | ||
| ARCADIA | PETER WOOD | ||
| Minerva Theatre | |||
| THE SEA | SEAN HOLMES | ||
| THE BLUE ROOM | LOVEDAY INGRAM | ||
| PAL JOEY | LOVEDAY INGRAM | ||
| ARISTOCRATS | SEAN HOLMES | ||
| HYSTERIA | LOVEDAY INGRAM | ||
|
Year |
Artistic Director |
Production |
Show Director |
| 1999 | ANDREW WELCH | Festival Theatre | |
| IMPORTANCE OF BEING EARNEST | CHRISTOPHER MORAHAN | ||
| SEMI-DETACHED | CHRISTOPHER MORAHAN | ||
| EASY VIRTUE | MARIA AITKEN | ||
| THE MAN WHO CAME TO DINNER | JOE DOWLING | ||
| Minerva Theatre | |||
| THE KING OF PRUSSIA | SEAN HOLMES | ||
| INSIGNIFICANCE | LOVEDAY INGRAM | ||
| NYMPH ERRANT | ROGER REDFARN | ||
| THE SCHOOL OF NIGHT | JACK SHEPHERD | ||
| THE RETREAT FROM MOSCOW | CHRISTOPHER MORAHAN | ||
| 1998 | ANDREW WELCH | Festival Theatre | |
| SATURDAY, SUNDAY & MONDAY | JUDE KELLY | ||
| RACING DEMON | CHRISTOPHER MORAHAN | ||
| CHIMES AT MIDNIGHT | PATRICK GARLAND | ||
| KATHERINE HOWARD | ROBIN LEFEVRE | ||
| Minerva Theatre | |||
| LOOT | DAVID GRINDLEY | ||
| SONG OF SINGAPORE | ROGER REDFARN | ||
| THE GLASS MENAGERIE | JACOB MURRAY | ||
| 1997 | DUNCAN WELDON / DEREK JACOBI | Festival Theatre | |
| THE ADMIRABLE CRICHTON | MICHAEL RUDMAN | ||
| LADY WINDERMERE'S FAN | RICHARD COTTRELL | ||
| BLITHE SPIRIT | TIM LUSCOMBE | ||
| DIVORCE ME DARLING | PAUL KERRYSON | ||
| OUR BETTERS | MICHAEL RUDMAN | ||
| THE MAGISTRATE | NICHOLAS BROADHURST | ||
| Minerva Theatre | |||
| AFTER OCTOBER | KEITH BAXTER | ||
| NOCTURNE FOR LOVERS | KADO KOSTZER | ||
| TALLULAH | MICHAEL RUDMAN | ||
| SUZANNA ANDLER | LINDY DAVIES | ||
| MISALLIANCE | FRANK HAUSER | ||
| ELECTRA | DAVID LEVEAUX | ||
| 1996 | DUNCAN WELDON / DEREK JACOBI | Festival Theatre | |
| LOVE FOR LOVE | IAN JUDGE | ||
| MANSFIELD PARK | MICHAEL RUDMAN | ||
| BEETHOVEN'S TENTH | JOE HARMSTON | ||
| WHEN WE ARE MARRIED | JUDE KELLY | ||
| FORTUNE'S FOOL | GALE EDWARDS | ||
| LOCK UP YOUR DAUGHTERS | STEVEN RAYNE | ||
| Minerva Theatre | |||
| SIMPLY DISCONNECTED | RICHARD WILSON | ||
| TALKING HEADS | ALAN BENNETT | ||
| UNCLE VANYA | BILL BRYDEN | ||
| HEDDA GABLER | LINDY DAVIES | ||
| BEATRIX |
PATRICK GARLAND | ||
| THE HANDYMAN | CHRISTOPHER MORAHAN | ||
| IT COULD BE ANYONE OF US | ALAN AYCKBOURN | ||
| 1995 | DUNCAN WELDON / DEREK JACOBI | Festival Theatre | |
| HADRIAN VII |
TERRY HANDS | ||
| HOBSONS CHOICE | FRANK HAUSER | ||
| THE SCHOOL FOR SCANDAL |
RICHARD COTTRELL | ||
| THE MISER | NICHOLAS BROADHURST | ||
| THE VISIT | TERRY HANDS | ||
| Minerva Theatre | |||
| TAKING SIDES |
HAROLD PINTER | ||
| A WORD FROM OUR SPONSOR | ALAN AYCKBOURN | ||
| PLAYING THE WIFE | RICHARD CLIFFORD | ||
| THE HOTHOUSE | DAVID JONES | ||
| MONSIEUR AMILCAR | TIM LUSCOMBE | ||
| 1994 | PATRICK GARLAND | Festival Theatre | |
| THE RIVALS | RICHARD COTTRELL | ||
| PYGMALION | PATRICK GARLAND | ||
| THE SCHOOLMISTRESS | MATTHEW FRANCIS | ||
| LET'S DO IT | JEFF THACKER | ||
| Minerva Theatre | |||
| A DOLLS HOUSE | ANNIE CASTLEDINE | ||
| DANGEROUS CORNER | KEITH BAXTER | ||
| THREE SISTERS |
LISA FORELL | ||
| 1993 | PATRICK GARLAND | Festival Theatre | |
| GETTING MARRIED | TIM SUPPLE | ||
| RELATIVE VALUES | TIM LUSCOMBE | ||
| PICKWICK | PATRICK GARLAND | ||
| THE MATCHMAKER | PATRICK MASON | ||
| Minerva Theatre | |||
| CARRINGTON | ANNIE CASTLEDINE | ||
| ROPE | KEITH BAXTER | ||
| ELVIRA '40 | PATRICK GARLAND | ||
| 1992 | PATRICK GARLAND | Festival Theatre | |
| CORIOLANUS | TIM SUPPLE | ||
| VENUS OBSERVED | JAMES ROOSE EVANS | ||
| KING LEAR IN NEW YORK | PATRICK GARLAND | ||
| SHE STOOPS TO CONQUER | PETER WOOD | ||
| Minerva Theatre | |||
| ME AND MY GIRL | IAN RICKSON | ||
| DOUBLE TAKE | HUGH WOOLDRIDGE | ||
| NIJINSKY — DEATH OF A FAUN | JANE MCCULLOCH | ||
| VITA & VIRGINIA | PATRICK GARLAND | ||
| CAIN | EDWARD HALL | ||
| 1991 | PATRICK GARLAND | Festival Theatre | |
| ARSENIC AND OLD LACE | ANNIE CASTLEDINE | ||
| HENRY VIII | IAN JUDGE | ||
| TOVARICH | PATRICK GARLAND | ||
| PRESERVING MR PANMURE | PETER WOOD | ||
| Minerva Theatre | |||
| POINT VALAINE | TIM LUSCOMBE | ||
| THE SISTERHOOD | TONY BRITTON | ||
| VALENTINE'S DAY | GILLIAN LYNNE | ||
| ADAM WAS A GARDENER | CAROLINE SHARMAN | ||
| TALKING HEADS | ALAN BENNETT | ||
| 1990 | MICHAEL RUDMAN | Festival Theatre | |
| MERRY WIVES OF WINDSOR | MICHAEL RUDMAN | ||
| THE POWER AND THE GLORY | TIM LUSCOMBE | ||
| THE SILVER KING | PETER WOOD | ||
| RUMOURS | MICHAEL RUDMAN | ||
| BORN AGAIN | PETER HALL | ||
| Minerva Theatre | |||
| THERESE RAQUIN | DAVID LEVEAUX | ||
| EURYDICE | MICHAEL RUDMAN | ||
| 70, GIRLS, 70 | PAUL KERRYSON | ||
| MY MOTHER SAID I NEVER SHOULD | ANNIE CASTLEDINE | ||
| SCENES FROM A MARRIAGE | RITA RUSSEK | ||
| Year | Artistic Director | Production | Show Director |
| 1989 | JOHN GALE | Festival Theatre | |
| VICTORY | PATRICK GARLAND & MATTHEW FRANCIS | ||
| THE HEIRESS | VIVAN MATALAN | ||
| LONDON ASSURANCE | SAM MENDES | ||
| A LITTLE NIGHT MUSIC | IAN JUDGE | ||
| Minerva Theatre | |||
| SUMMERFOLK | |||
| CULTURE VULTURES | |||
| WARRIOR | |||
| THE TRIUMPH OF LOVE | |||
| CLOUD NINE | |||
| LOVE'S LABOURS LOST | |||
| THE PURITY GAME | |||
| WAR AND PEACES | |||
| 1988 | JOHN GALE | HAY FEVER | TONY BRITTON |
| MAJOR BARBARA | CHRISTOPHER MORAHAN | ||
| THE ROYAL BACCARAT SCANDAL | VAL MAY | ||
| RING ROUND THE MOON | ELIJAH MOSHINSKY | ||
| 1987 | JOHN GALE | ROBERT AND ELIZABETH | STEWART TAYLOR |
| AN IDEAL HUSBAND | TONY BRITTON | ||
| A MAN FOR ALL SEASONS | FRANK HAUSER | ||
| MIRANDA | WENDY TOYE | ||
| 1986 | JOHN GALE | ANNIE GET YOUR GUN | DAVID GILMORE |
| THE CHALK GARDEN | RONALD EYRE | ||
| THE RELAPSE | MATTHEW FRANCIS | ||
| JANE EYRE | PETER COE | ||
| A FUNNY THING HAPPENED ON THE WAY TO THE FORUM | LARRY GELBART | ||
| 1985 | JOHN GALE | CAVALCADE | DAVID GILMORE |
| ANTONY AND CLEOPATRA | ROBIN PHILLIPS | ||
| THE PHILANTHROPIST | PATRICK GARLAND | ||
| THE SCARLET PIMPERNEL | NICHOLAS HYTNER | ||
| 1984 | PATRICK GARLAND | FORTY YEARS ON | PATRICK GARLAND |
| OH, KAY! | IAN JUDGE | ||
| THE MERCHANT OF VENICE | PATRICK GARLAND | ||
| THE WAY OF THE WORLD | WILLIAM GASKILL | ||
| 1983 | PATRICK GARLAND | A PATRIOT FOR ME | RONALD EYRE |
| TIME AND THE CONWAYS | PETER DEWS | ||
| AS YOU LIKE IT | PATRICK GARLAND | ||
| THE SLEEPING PRINCE | PETER COE | ||
| 1982 | PATRICK GARLAND | ON THE ROCKS | JACK EMERY & P GARLAND |
| VALMOUTH | JOHN DEXTER | ||
| CAVELL | PATRICK GARLAND | ||
| GOODBYE, MR CHIPS | PATRICK GARLAND &
CHRIS SELBIE | ||
| 1981 | PATRICK GARLAND | THE CHERRY ORCHARD | PATRICK GARLAND |
| FEASTING WITH PANTHERS | PETER COE | ||
| THE MITFORD GIRLS | PATRICK GARLAND | ||
| UNDERNEATH THE ARCHES | ROGER REDFARN | ||
| Year | Artistic Director | Production | Show Director |
| 1980 | PETER DEWS | THE LAST OF MRS CHEYNEY |
PATRICK LAU |
| TERRA NOVA | PETER DEWS | ||
| MUCH ADO ABOUT NOTHING | PETER DEWS | ||
| OLD HEAD AND YOUNG HEARTS | MICHAEL SIMPSON | ||
| 1979 | PETER DEWS | THE DEVIL'S DISCIPLE | PETER DEWS |
| THE EAGLE HAS TWO HEADS | DAVID WILLIAM | ||
| THE IMPORTANCE OF BEING EARNEST | PETER DEWS | ||
| THE MAN WHO CAME TO DINNER | PATRICK LAU | ||
| 1978 | PETER DEWS | A WOMAN OF NO IMPORTANCE | PATRICK GARLAND |
| THE INCONSTANT COUPLE | NOEL WILLMAN | ||
| THE ASPERN PAPERS | DAVID WILLIAM | ||
| LOOK AFTER LULU | PATRICK GARLAND | ||
| 1977 | KEITH MICHELL | WATERS OF THE MOON | JOHN CLEMENTS |
| IN ORDER OF APPEARANCE | KEITH MICHELL | ||
| JULIUS CAESAR | PETER DEWS | ||
| THE APPLE CART | PATRICK GARLAND | ||
| 1976 | KEITH MICHELL | NOAH | ERIC THOMPSON |
| TWELFTH NIGHT | KEITH MICHELL | ||
| THE CIRCLE | PETER DEWS | ||
| MONSIEUR PERRICHON'S TRAVELS | PATRICK GARLAND | ||
| 1975 | KEITH MICHELL | CYRANO DE BERGERAC | JOSE FERRER |
| AN ENEMY OF THE PEOPLE | PATRICK GARLAND | ||
| MADE IN HEAVEN | WENDY TOYE | ||
| OTHELLO | PETER DEWS | ||
| 1974 | KEITH MICHELL | TONIGHT WE IMPROVISE | PETER COE |
| THE CONFEDERACY | WENDY TOYE | ||
| OEDIPUS TYRANNUS | HOVHANNES PILIKIAN | ||
| A MONTH IN THE COUNTRY | TOBY ROBINSON | ||
| 1973 | JOHN CLEMENTS | THE DIRECTOR OF THE OPERA | PETER DEWS |
| THE SEAGULL |
JONATHAN MILLER | ||
| R LOVES J | WENDY TOYE | ||
| DANDY DICK | JOHN CLEMENTS | ||
| 1972 | JOHN CLEMENTS | THE BEGGAR'S OPERA | ROBIN PHILLIPS |
| THE DOCTOR'S DILEMMA |
JOHN CLEMENTS | ||
| TAMING OF THE SHREW | JONATHAN MILLER | ||
| LADY'S NOT FOR BURNING | ROBIN PHILLIPS | ||
| 1971 | JOHN CLEMENTS | THE RIVALS | JOHN CLEMENTS |
| DEAR ANTOINE | ROBIN PHILLIPS | ||
| CAESAR AND CLEOPATRA | ROBIN PHILLIPS | ||
| REUNION IN VIENNA | FRITH BANBURY | ||
| Year | Artistic Director | Production | Show Director |
| 1970 | JOHN CLEMENTS | PEER GYNT | PETER COE |
| VIVAT! VIVAT! REGINA | PETER DEWS | ||
| THE PROPOSAL | JOHN CLEMENTS | ||
| ARMS AND THE MAN | JOHN CLEMENTS | ||
| THE ALCHEMIST | PETER DEWS | ||
| 1969 | JOHN CLEMENTS | THE CAUCASIAN CHALK CIRCLE | PETER COE |
| THE MAGISTRATE | JOHN CLEMENTS | ||
| THE COUNTRY WIFE | ROBERT CHETWYN | ||
| ANTONY AND CLEOPATRA | PETER DEWS | ||
| 1968 | JOHN CLEMENTS | THE UNKNOWN SOLDIER AND HIS WIFE | PETER USTINOV |
| THE COCKTAIL PARTY | ALEC GUINNESS | ||
| THE TEMPEST | DAVID JONES | ||
| THE SKIN OF OUR TEETH | PETER COE | ||
| 1967 | JOHN CLEMENTS | THE FARMER'S WIFE | JOHN CLEMENTS |
| THE BEAUX' STRATAGEM | WILLIAM CHAPPELL | ||
| HEARTBREAK HOUSE | JOHN CLEMENTS | ||
| THE ITALIAN STRAW HAT | PETER COE | ||
| 1966 | JOHN CLEMENTS | THE CLANDESTINE MARRIAGE | DESMOND O'DONOVAN |
| THE FIGHTING COCK | NORMAN MARSHALL | ||
| THE CHERRY ORCHARD | LINDSAY ANDERSON | ||
| MACBETH | MICHAEL BENTHALL | ||
| 1965 | LAURENCE OLIVIER | ARMSTRONG'S LAST GOODNIGHT | JOHN DEXTER &
WILLIAM GASKILL |
| TRELAWNEY OF THE WELLS | DESMOND O'DONOVAN | ||
| MISS JULIE | MICHAEL ELLIOTT | ||
| BLACK COMEDY | JOHN DEXTER | ||
| 1964 | LAURENCE OLIVIER | THE ROYAL HUNT OF THE SUN | JOHN DEXTER |
| THE DUTCH COURTESAN | WILLIAM GASKILL | ||
| OTHELLO | JOHN DEXTER | ||
| 1963 | LAURENCE OLIVIER | SAINT JOAN | JOHN DEXTER |
| UNCLE VANYA | LAURENCE OLIVIER | ||
| THE WORKHOUSE DONKEY | STUART BURGE | ||
| 1962 | LAURENCE OLIVIER | THE CHANCES | LAURENCE OLIVIER |
| THE BROKEN HEART | LAURENCE OLIVIER | ||
| UNCLE VANYA | LAURENCE OLIVIER |