Winter Season

The Virginia Monologues: Why Growing Old is Great

Written and performed by Virginia Ironside. Director Nigel Planer

The Virginia Monologues: Why Growing Old is Great

The Virginia Monologues: Why Growing Old is Great

Minerva Theatre

4 Feb 2012

Overview

'A gentle, life-affirming ramble through the joys
of being a sexagenarian'

The Independent
 
When an agony aunt reaches sixty she can lie like a trooper, jump off a bridge or take to the stage.
 
Virginia Ironside explains that unlimited free drugs, boring for Britain, fun funerals, grandchildren and sex - or, even better, no sex - make the sixties the best and funniest time of your life.
 
The Virginia Monologues premiered at the Edinburgh Festival Fringe to great acclaim and played a limited season of sold out performances in 2010.
  
All proceeds from this event will go to Children on the Edge.

Reviews

'Virginia Ironside in The Virginia Monologues – Why It’s Great To Be Sixty, The Studio, York Theatre Royal. Judging by the demographic of the audience at Virginia Ironside’s delightful stand-up show on Tuesday and Wednesday, you would assume that the target market is lodged firmly within her own age-range: sixty-something. But, thankfully, you would be wrong.
Starting off her career as a journalist and then finding her true home as a sympathetic yet candid agony aunt, Ironside knows how to build a seamless sense of nostalgia with her endless, endearing anecdotes of old age. From sex and drugs, to gardening and dozing, Ironside has done it all; and it has all left her so remarkably indifferent.

Nigel Planer’s direction allows Ironside to talk of death and illness with a well-orchestrated sense of poignancy, and also develops a clever pacing of froth and morbidity in swift one-line swoops. Ironside’s gentle South Kensington purr allows her occasional swearing and cringe-inducing gags about using Vaseline as lubricant to evade any offensive overtones.

Her tales of friends who use cruises as “floating nursing houses”, and guidance about how one should not wear spectacles with strings attached because “they make you look deaf”, are amusing and accessible for all age ranges.

Ironside isn’t fooling anyone, however. Looking positively glowing and robust in her chic hot-pink dress and a pair of spectacles that certainly don’t have strings attached, Ms Ironside looks like she could relive the rock’n’roll dizziness of her twenties, write a well-considered advice column and reinvent the architecture of her doubtlessly funky yet flawless garden in just one afternoon – without so much as a quick doze in sight.

It almost makes me look forward to the fun of being great at sixty, just like the indispensible Ms Ironside herself. Minus the bunions, perhaps.'

York Press


'According to Virginia Ironside, doyenne of Fleet Street and agony aunt extraordinaire, one of the myriad pleasures of hitting one's sixties is the confidence that comes with old age. And one need look no further than Ironside herself for the proof.
At the distinguished age of 65, having eschewed a reading in the cosy confines of the Book Festival at Charlotte Square Gardens or a couple of dates in an "Evening with..." format, reading the odd diary note here, answering the odd question there, the writer has signed up for a full month of stand-up shows at the Gilded Balloon.
And what a delightfully refreshing addition she makes to the scene, too. With a vase of fresh-cut flowers beside her and dressed in an elegant sea-green dress, sparkly brooch and, bit of a shock this, neon-pink patent high heels (to stop her looking like a librarian on stage, apparently), she's poised, polite, with cut-glass diction and unexpectedly spot-on comic timing.
The show, directed by Nigel Planer (there's a Young Ones joke to be made there somewhere), is a gentle, life-affirming ramble through the joys of being a sexagenarian – the bus passes, the bird-watching, the glamorous dressing gowns and the grandchildren. That description, though, hardly does justice to the sharpness of the observation and writing here. "Don't wear glasses on strings," she advises us schoolmarm-like. "They make you look deaf." Elsewhere, Miami is likened to Hove, "but with gangsters", and the fluffy-haired vision of old age as imagined on Bupa leaflets comes in for a good kicking.
No stand-up show would be complete without a little sex, drugs and rock'n'roll and Ironside covers all of these with great gusto, from an ecstatic riff on the pleasures of pills (the drug dealing routine is the strongest in the show), to intimate encounters with old men "with chests like rolled-up Austrian blinds" and reminiscences from her time as a rock columnist on The Daily Mail in the Sixties. She doesn't shy away from death either in a beautifully judged segment towards the end.
Though the audience is largely pensioners (who make up a vast segment of Fringe ticket buyers), this is a witty show for all ages, providing a lunchtime oasis of grown-up calm and wisdom amid the histrionics of the festival. Plus, it's the first, and probably the last, time you'll ever hear a colostomy-bag showstopper or a glucosamine sulphate-related heckle.'
The Independent

Booking Info

2.30pm & 7.45pm

Tickets: £15 (includes post-performance drink reception)



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